Living in an area that has a high emphasis on the performing arts, I’ve been able to attend a lot of fascinating performances and become more cultured. Comedy groups, dances, operas, plays, symphonies, and other events frequently stop by my area, and I love to attend. Here are some of my tips for attending these types of performances with low vision and photosensitivity.
Check performer’s website
Prior to buying tickets, check the performer’s website to see what to expect. Are there a ton of strobe lights? What about special effects such as fog or fire? Use your best judgment to decide if this will be a worthwhile event to attend. For example, one of my friends had invited me to an event that can best be summarized as ninety minutes of strobe light, so we decided to plan something else instead.
Signs at the venue
Check for signs at the venue that warn about strobe or flashing lights, and before the performance, ask a staff member about flashing lights again. My family and I went to see Michael McDonald (who does not use strobe lights) and the opening act, Toto, kicked off their performance with ten seconds straight of strobe light. Because Michael McDonald did not use strobe lights, we were not notified about the use of the lights until it was far too late, and I had to leave two songs into the concert. We did get a refund, though.
When booking tickets, ask if there is any specific seating for people with vision impairments. The performing arts centers I have attended had about twelve seats at each show reserved for guests with vision impairments and their companions. Under the ADA, it is illegal to be charged extra for requesting these seats. When I booked tickets for my two friends and I to see the Reduced Shakespeare Company, we were charged the student rate and had a note marked on our tickets that we needed the reserved seats. We sat in the second center row and had no problems with watching the performance.
Descriptive audio allows users to get a description of the movement and light effects on stage. This device proved to be worth its weight in gold when my friend and I went to Mummenschanz, a mime show. Some performances may require advance notice about descriptive audio if they use a live interpreter (Mummenschanz did), but a majority of groups have their own recordings that they provide, such as when my brother and I saw a special screening of Birdman.
Navigating the venue
At a performance for Giselle, I became separated from my group and found myself fairly lost . The venue I was at had given me a phone number for a staff member to call in case of a situation like this, and I was reunited with my group less than five minutes later. Writing down the phone number on the back of my ticket proved to be invaluable.
I love attending these performances and supporting the arts as much as possible. Hopefully these tips may help others to have same level of enjoyment as I do!